Al caer la noche (Night Must Fall) (Karel Reisz, 1964)
Billy, el embustero (Billy Liar) (John Schlesinger, 1963)
Darling (Darling) (John Schlesinger, 1965)
Domingo, maldito domingo (Sunday, Bloody Sunday) (John Schlesinger, 1971)
El ingenuo salvaje (This sporting life) (Lindsay Anderson, 1963)
Enginemen (Enginemen) (Michael Grigsby, 1959)
Esa clase de amor (A Kind of Loving) (John Schlesinger, 1962)
Every Day except Christmas (Every Day except Christmas) (Lindsay Anderson, 1957)
If.... (If....) (Lindsay Anderson, 1968)
Kes (Ken Loach, 1969)
La última carga (The Charge of the Light Brigade) (Tony Richardson, 1968)
Lejos del mundanal ruido (Far from the Madding Crowd) (John Schlesinger, 1967)
Mirando hacia atrás con ira (Look Back in Anger) (Tony Richardson, 1958)
Momma don't allow (Momma don't allow) (Tony Richardson, Karel Reisz, 1955)
Morgan, un caso clínico (Morgan. A Suitable Case for Treatment) (Karel Reisz, 1966)
Nice Time (Alain Tanner, Claude Goretta, 1957)
O Dreamland (O Dreamland) (Lindsay Anderson, 1953)
Poor Cow (Ken Loach, 1967)
Sábado noche, domingo mañana (Saturday Night and Sunday Morning) (Karel Reisz, 1960)
Terminus (John Schlesinger, 1961)
Thursday's Children (Thursday's Children) (Lindsay Anderson, Guy Brenton, 1954)
Together (Lorenza Mazzetti, 1956)
Tom Jones (Tom Jones) (Tony Richardson, 1963)
Un hombre de suerte (O Lucky Man!) (Lindsay Anderson, 1983)
Un sabor a miel (Taste of Honey) (Tony Richardson, 1961)
Wakefield Express (Wakefield Express) (Lindsay Anderson, 1952)
We are the Lambeth Boys (We are the Lambeth Boys) (Karel Reisz, 1958)
