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Together (Lorenza Mazzetti, 1956)

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Together
Lorenza Mazzetti (Reino Unido, 1956) [52 min]

Portada
IMDb
(wikipedia | filmaffinity)


Sinopsis:

    Italian-born Lorenza Mazzetti's Together (1956) was the longest film in the first Free Cinema programme, and the only fiction. Like Momma Don't Allow (d. Karel Reisz/Tony Richardson, 1956), it was entirely produced with a grant from the newly formed BFI Experimental Film Fund and cost less than £2000, despite being shot on 35mm film.

    Together is set in London's East End, with its bombsites, narrow streets, riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti's Free Cinema friends.

Ficha técnica

    Guión: Denis Horn.
    Música: Daniele Paris.
    Fotografía: Hamed Hadari.
    Productora: Harlequin Productions Ltd. / British Film Institute Experimental Film Fund.

Reparto:

  • Michael Andrews.
  • Eduardo Paolozzi.
  • Valy.
  • Denis Richardson.
  • Cecilia May.

Idioma original: Inglés.





¿?Rip VO - AVI [455 Mb]
detalles técnicos u otros: mostrar contenido
General
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Duration : 46 min 49 s
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Writing application : FairUse Wizard - http://fairusewizard.com
Writing library : The best and REALLY easy backup tool

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Incluido en la recopilación 'Free Cinema: The Definitive Film Collection'
detalles técnicos u otros: mostrar contenido
Versión DVDRip VO (cortesía de Bemol)

* O Dreamland (dir. Lindsay Anderson, UK, 1953, 12 mins)
* Momma Don't Allow ( dir. Karel Reisz/Tony Richardson, UK, 1956, 22 mins)
* Together (dir. Lorenza Mazzetti, UK, 1956, 52 mins)
* Wakefield Express (dir. Lindsay Anderson, UK, 1952, 30 mins)
* Nice Time (dir. Alain Tanner/Claude Goretta, UK, 1957, 17 mins)
* The Singing Street (dir. Norton Park Group/Nigel McIsaac, UK, 1952, 18 mins)
* Everyday Except Christmas (dir. Lindsay Anderson, UK, 1957, 40 mins)
* Refuge England (dir. Robert Vas, UK, 1959, 27 mins)
* Enginemen (dir. Michael Grigsby, UK, 1959, 21mins)
* We Are the Lambeth Boys (dir. Karel Reisz, UK, 1959, 52 mins)
* Food for a Blush (dir. Elizabeth Russell, UK, 1959, 30 mins)
* One Potato Two Potato (dir. Leslie Daiken, UK, 1957, 21 mins)
* March to Aldermaston (anonymous, UK, 1959, 33 mins)
* The Vanishing Street (dir. Robert Vas, UK, 1962, 18 mins)
* Tomorrow's Saturday (dir. Michael Grigsby, UK, 1962, 18 mins)
* Gala Day (dir. John Irvin, UK, 1963, 26 mins)





Relacionado:

    Portada
    Monografías. (Reino Unido)
    Reaccionando frente a la tradición cinematográfica británica, un grupo de autores propuso, a principio de la década de 1950, una renovación de estas actividades, atendiendo en mayor grado a los temas que interesaban a las clases más populares....



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